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    French paintings of ladies dressing and at their toilettes provide us with an insight of how dressing rooms were once constructed and used. A young woman standing, her right breast bare, receiving coins with her right hand from a man who stands on the left, passing a small sack with her left to an old woman who puts her index finger in front of her mouth on the right; after Vieira; published state. Mud baths. Women taking mud baths in the 18th century, watched by James Graham died , a Scottish medical fraudster.
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    18th century: Erotica, caricatures and cartoons

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    18th Century Sensuality

    The history of erotic depictions includes paintings , sculpture , photographs , dramatic arts , music and writings that show scenes of a sexual nature throughout time. They have been created by nearly every civilization, ancient and modern. Early cultures often associated the sexual act with supernatural forces and thus their religion is intertwined with such depictions. In Asian countries such as India , Nepal , Sri Lanka , Japan and China , representations of sex and erotic art have specific spiritual meanings within native religions. The ancient Greeks and Romans produced much art and decoration of an erotic nature, much of it integrated with their religious beliefs and cultural practices. In more recent times, as communication technologies evolved, each new technique, such as printing , photography , motion pictures and computers , has been adapted to display and disseminate these depictions. In early times, erotic depictions were often a subset of the indigenous or religious art of cultures and as such were not set aside or treated differently than any other type.
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    History of erotic depictions

    I Modi or The Ways was a book of engravings depicting sixteen sexual positions. Think of it as The Joy of Sex for Renaissance times. The book, also known as The Sixteen Pleasures , was published by the engraver Marcantonio Raimondi in
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    In Paris, the poster that served as a come-on for "Hogarth" featured a young couple in fashionable though somewhat disarrayed clothing, obviously exhausted from a night of sexual carousing, sprawled in separate chairs in front of a fireplace full of dying embers. An innovator who railed against the prevailing taste for Italianate religious pictures, Hogarth picked his subjects from contemporary life rather than history, used the visual medium like a sociologist to explore and to criticize the mores of rich and poor alike, and popularized his ideas by selling engravings of the original works. The show begins with two self-portraits.
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